Bohemien Rapsodie


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Bohemien Rapsodie

Bohemian Rhapsody. Im Jahr gründen Freddie Mercury (Rami Malek) und seine Bandmitglieder Brian May (Gwilym Lee), Roger Taylor (Ben Hardy) und. Zugunsten der Film-Dramaturgie wurden einige Fakten im Freddie-Mercury-​Biopic „Bohemian Rhapsody“ durcheinandergewirbelt. Anderes ist. Bohemian Rhapsody huldigt die Band Queen, ihre Musik und ihren außergewöhnlichen Frontmann Freddie Mercury, der sich Konventionen widersetzt hat und.

Bohemian Rhapsody (Film)

Bohemian Rhapsody. Im Jahr gründen Freddie Mercury (Rami Malek) und seine Bandmitglieder Brian May (Gwilym Lee), Roger Taylor (Ben Hardy) und. Bohemian Rhapsody huldigt die Band Queen, ihre Musik und ihren außergewöhnlichen Frontmann Freddie Mercury, der sich Konventionen widersetzt hat und. Zugunsten der Film-Dramaturgie wurden einige Fakten im Freddie-Mercury-​Biopic „Bohemian Rhapsody“ durcheinandergewirbelt. Anderes ist.

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Queen - Bohemian Rhapsody (Lyrics In Spanish \u0026 English / Letras en Inglés y en Español)

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Bombenblindgänger, Biopic GrossbritannienMin. I did a bit of research although it was tongue-in-cheek and mock opera. David Gagne. Sendung Verpasst Dahoam Ist Dahoam Guardian. Massive Music Moments. Time Out.

Although the song has become one of the most revered in popular music history, [56] the initial critical reaction was mixed. The UK music papers reacted with bemusement, recognising that the song was original and technically accomplished, but they mostly remained indifferent.

Pete Erskine of NME observed that, "It'll be interesting to see whether it'll be played in its entirety on the radio.

It's performed extremely well, but more in terms of production than anything else Someone somewhere has decided that the boys' next release must sound 'epic'.

And it does. They sound extremely self-important. Allan Jones of Melody Maker was unimpressed, describing the song as "a superficially impressive pastiche of incongruous musical styles" and that Queen "contrived to approximate the demented fury of the Balham Amateur Operatic Society performing The Pirates of Penzance It's likely to be a hit of enormous proportions despite its length.

There's no denying that it's devilishly clever, encompassing everything from bits of operatic harmonies to snatches that sound like Sparks and David Cassidy , but, in the end the whole adds up to less than the sum of its parts.

In , when asked for his opinion on "Bohemian Rhapsody", the Beach Boys ' leader Brian Wilson praised the song as "the most competitive thing that's come along in ages" and "a fulfillment and an answer to a teenage prayer—of artistic music".

Addressing the song's enduring popularity, author and music lecturer Jochen Eisentraut wrote in "A year before punk made it unfashionable, progressive rock had an astounding success with the theoretically over-length nearly 6-minute single 'Bohemian Rhapsody' which bore many of the hallmarks of the 'prog' genre".

He said it was "unique at this point to hear a hit single in this style", it was "more accessible than other music of the genre" and was "able to communicate beyond the usual confines of the style".

In , The Guardian ' s music critic, Tom Service , examined the song's relationship with the traditions of classical music , describing its popularity as "one of the strangest musical phenomena out there":.

The precedents of Bohemian Rhapsody are as much in the 19th-century classical traditions of rhapsodic, quasi-improvisational reveries—like, say, the piano works of Schumann or Chopin or the tone-poems of Strauss or Liszt —as they are in prog-rock or the contemporary pop of That's because the song manages a sleight of musical hand that only a handful of real master-musicians have managed: the illusion that its huge variety of styles—from intro, to ballad, to operatic excess, to hard-rock, to reflective coda—are unified into a single statement, a drama that somehow makes sense.

It's a classic example of the unity in diversity that high-minded musical commentators have heard in the symphonies of Beethoven or the operas of Mozart.

And that's exactly what the piece is: a miniature operatic-rhapsodic-symphonic-tone-poem. A comparison was also made between the song and Led Zeppelin 's epic " Stairway to Heaven " by music writers Pete Prown and HP Newquist.

They observed both songs were "a slow, introspective beginning and gradual climb to a raging metal jam and back again", with the notable distinction being "while Zeppelin meshed folk influences with heavy metal, Queen opted for the light grandeur of the operetta as part of its hard rock".

They said "for sheer cleverness alone, not to mention May's riveting electric work, 'Bohemian Rhapsody' rightfully became one of the top singles of and established Queen in the elite of seventies rock bands".

In , The Economist described it as "one of the most innovative pieces of the progressive rock era". It wrote "though Led Zeppelin's John Paul Jones and the Beatles ' Paul McCartney had experimented with symphonic elements, and Roger Waters of Pink Floyd and Pete Townshend of the Who had created narrative albums with distinct 'movements', none had had the audacity to import a miniature opera into rock music.

In , the song enjoyed renewed popularity in the United States after being featured in a scene in the film Wayne's World , in which the titular character and his friends headbang in a car to the rock part near the end of the song.

Mike Myers insisted that the song fit the scene. Gracyk suggests that beginning the tape in the middle of the song after "the lyrics which provide the song's narrative In connection with this, a new video was released, interspersing excerpts from the film with footage from the original Queen video, along with some live footage of the band.

Myers was horrified that the record company had mixed clips from Wayne's World with Queen's original video, fearing that this would upset the band.

He said, "they've just whizzed on a Picasso. The band, though, sent a reply simply saying, "Thank you for using our song. The Wayne's World video version of "Bohemian Rhapsody" won Queen its only MTV Video Music Award for " Best Video from a Film ".

In the Queen biopic Bohemian Rhapsody , Myers has a cameo as a fictional record executive who pans the song and refuses to release it as a single, proclaiming that it is too long for radio and that it is not a song that "teenagers can crank up the volume in their car and bang their heads to", a reference to the iconic scene in Wayne's World.

The song has won numerous awards and has been covered and parodied by many artists. In "Bohemian Rhapsody" received two Grammy Award nominations for Best Pop Vocal Performance by a Duo, Group or Chorus and Best Arrangement for Voices.

The winners were Chicago's "If You Leave Me Now," and Starland Vocal Band's "Afternoon Delight," respectively. In , the song was inducted into the Grammy Hall of Fame.

In December , "Bohemian Rhapsody" officially became the most-streamed song from the 20th century, surpassing Nirvana's " Smells Like Teen Spirit " and Guns N' Roses' " Sweet Child o' Mine ".

In a poll of more than 50, readers of The Observer newspaper and viewers of British TV's Channel 4 for the best number-one singles of all time, the song came second to John Lennon 's " Imagine ".

In , it came in 10th in a BBC World Service poll to find the world's favourite song. In , the song topped an ITV poll in the UK to find "The Nation's Favourite Number One" over 60 years of music, ahead of Michael Jackson 's " Billie Jean " No.

Over two dozen artists have recorded or performed cover versions of "Bohemian Rhapsody", including charted single releases by:. A video cover featuring The Muppets also went viral [87] and was subsequently released as a single in late , peaking at UK To mark the 40th anniversary of "Bohemian Rhapsody", the song was released on a limited edition 12" vinyl with the original B-side "I'm In Love With My Car" on 27 November for Record Store Day Queen also released A Night At The Odeon, Live At Hammersmith 75 , on CD , DVD-Video and Blu-ray.

This includes the first live "professionally" recorded performance of "Bohemian Rhapsody". The a cappella opening was too complex to perform live, so Mercury tried various ways of introducing the song.

When the song "Mustapha" became a live favourite, Mercury would often sub in that song's a cappella opening, which was easier to reproduce live as it was only one voice.

During the Hot Space Tour , and occasionally at other times, Mercury would do a piano improvisation generally the introduction to "Death on Two Legs" that ended with the first notes of the song.

Often, the preceding song would end, and Mercury would sit at the piano, say a quick word, and start playing the ballad section. Initially following the song's release, the operatic middle section proved a problem for the band.

Because of extensive multi-tracking, it could not be performed on stage. The band did not have enough of a break between the Sheer Heart Attack and A Night at the Opera tours to find a way to make it work live, so they split the song into three sections that were played throughout the night.

The opening and closing ballads were played as part of a medley, with " Killer Queen " and "March of the Black Queen" taking the place of the operatic and hard rock sections.

In concerts where the same medley was played, the operatic section from the album would be played from tape as the introduction to the setlist.

During this playback, Mercury would appear briefly to sing live for the line, "I see a little sillhouetto of a man".

Starting with the A Day at the Races Tour in , the band adopted their lasting way of playing the song live. The opening ballad would be played on stage, and after Brian May's guitar solo, the lights would go down, the band would leave the stage, and the operatic section would be played from tape, while coloured stage lights provided a light show based around the voices of the opera section.

Most playings of the opera section from the tape would often be accompanied by a portion of the song's music video containing the footage used for the operatic portion of the song.

Other playings would be played over montages of footage filmed from the band members' other experiences throughout their daily lives.

A blast of pyrotechnics after Roger Taylor's high note on the final "for me" would announce the band's return for the hard rock section and closing ballad.

Queen played the song in this form all through the Magic Tour of This style was also used for the Freddie Mercury Tribute Concert , with Elton John singing the opening ballad and then after the taped operatic section, Axl Rose singing the hard rock section.

John and Rose sang the closing ballad part together in a duet. As with the Queen tours, the band went backstage for the operatic section, which was accompanied by a video tribute to Freddie Mercury.

When the hard rock section began, the lights came back up to the full band on stage, including Rodgers, who took over lead vocals.

Rodgers duetted with the recording of Mercury for the "outro" section, allowing the audience to sing the final "Nothing really matters to me", while the taped Mercury took a bow for the crowd.

Rodgers would then repeat the line, and the final line "Any way the wind blows" was delivered with one last shot of Mercury smiling at the audience.

Commenting upon this staging, Brian May says that they "had to rise to the challenge of getting Freddie in there in a way which gave him his rightful place, but without demeaning Paul in any way.

It also kept us live and 'present', although conscious and proud of our past, as we logically should be. I always wanted to do something operatic.

I wanted something with a mood setter at the start, going into a rock type of thing which completely breaks off into an opera section, a vicious twist and then returns to the theme.

I don't really know anything about opera myself. Just certain pieces. I wanted to create what I thought Queen could do.

It's not authentic… certainly not. It's no sort of pinch out of Magic Flute. It was as far as my limited capacity could take me.

I'm going to shatter some illusions, it was just one of those pieces I wrote for the album: just writing my batch of songs. In its early stages I almost rejected it, but then it grew.

We started deciding on a single about halfway through. There were a few contenders—we were thinking of " The Prophet's Song " at one point—but then "Bohemian Rhapsody" seemed the one.

There was a time when the others wanted to chop it around a bit, but I refused. If it was going to be released, it would be in its entirety. We knew it was very risky, but we had so much confidence in that song—I did anyway.

I felt, underneath it all, that if it was successful it would earn a lot of respect. People were all going, You're joking, they'll never play it, you'll only hear the first few bars and then they'll fade it out.

We had numerous rows. EMI were shocked—a six-minute single? You must be joking! The same in America—oh, you just got away with it in Britain.

When we finished the album, the Night at the Opera album, that was the track on it that we thought we were gonna release as a single in the UK first.

And when we released it in Britain we didn't necessarily think it'd be released in America, cause we know even over here, you know, the AM tastes are even more [hesitates] stricter.

Anyway we did have thoughts about even in the UK, perhaps editing it down at all, but we listened to it over and over again and there was no way we could edit it.

We tried a few ideas, but if you edited it, you always lost some part of the song, so we had to leave it all in. And luckily it took off anyway.

The vocal harmonies was something we wanted to do from the beginning, as we are always keen to do that kind of thing. We wanted to be a group that could do the heaviness of hard rock, but also have harmonies swooping around all over the place.

We thought there was some real power and emotion in that combination. The guitar solo was pretty much off the cuff, except I think I had plenty of time to think about that one.

I remember playing along with it in the studio for a while when other things were being done. I knew what kind of melody I wanted to play.

From Wikipedia, the free encyclopedia. For other uses, see Bohemian Rhapsody disambiguation. The operatic segment enters immediately as May's solo abruptly concludes.

This vast shift in style is just one example of how the song rapidly changes throughout its running time. It's one of those songs which has such a fantasy feel about it.

I think people should just listen to it, think about it, and then make up their own minds as to what it says to them I did a bit of research although it was tongue-in-cheek and mock opera.

Why not? See also: List of Bohemian Rhapsody cover versions. This Section needs additional citations for verification.

Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

In live performances, the operatic segment would be played from tape as it was too complicated for the band to perform live. As the heavy rock segment followed, the band would return to the stage.

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This Day In Music Books. Archived from the original on 27 April Retrieved 25 August A Concise History of Rock Music. Mel Bay Publications, Inc. Dutch Progressive Rock Page.

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Archived from the original on 7 August Express Online. Archived from the original on 21 September Retrieved 28 September Freddie Mercury: The Definitive Biography.

Critiques Spectateurs. Et de ce Lire plus. Le tout est fait on ne peut plus classiquement pour le genre. Secret de tournage.

Bohemian Rhapsody sur TMC : un lien surprenant avec Game of Thrones et Rocketman. Si vous aimez ce film, vous pourriez aimer Super Duper Alice Cooper.

The Doors. Velvet Goldmine. Bravo pour la reproduction! Live aid exceptionnel!! C'est bon de se faire du bien, on devrait tous essayer.

Chacun son avis :. Merci mais non merci La bonne blague. Ce n'est pas non plus purement une fiction! Die Aufnahme des Stücks Bohemian Rhapsody gerät besonders aufwändig, doch obwohl die Band es für ein Meisterwerk hält, lehnt Foster das Lied als Single-Auskopplung zunächst ab, da es mit einer Länge von sechs Minuten nicht radiotauglich sei, der Text wirr und der Titel sperrig.

Im Streit darum, welches Lied ausgekoppelt werden soll, endet die Zusammenarbeit mit Foster. Nach seiner Rückkehr von einer Welttournee mit Queen lösen er und Mary Austin ihre Verlobung, denn während er sich für bisexuell hält, ist sie sicher, dass er schwul ist.

Die beiden bleiben aber zeitlebens eng befreundet. In den folgenden Jahren lebt Mercury seine Vorliebe für exzessive Partys, Drogenkonsum und wechselnde Partnerschaften aus.

Darunter leiden sowohl die Freundschaften zu Austin und seinen Kollegen als auch die produktive Studioarbeit. Mercury findet in München seine Wahlheimat, wo die Band einige Aufnahmen einspielt.

Er taucht in die schwule Party- und Lederszene ein, was unter anderem zu zahlreichen Gerüchten in der Boulevard-Presse führt. Eine Pressekonferenz gerät zu einer Art Kreuzverhör über Mercurys Sexualleben.

Er fühlt sich jetzt erstmals krank. Er beginnt, an Queen zu zweifeln, ist aber zunächst von Reids Angebot für einen Solovertrag so entsetzt, dass er den Manager feuert.

Später nimmt er das Angebot an, womit seine Bandkollegen nicht einverstanden sind. Während Mercury in München auch an seinen Soloalben arbeitet, schottet ihn sein Assistent und Geliebter Paul Prenter nun regelrecht von alten Verbindungen ab; so leitet er auch Anfragen nicht weiter, ob Queen bei Bob Geldofs Wohltätigkeitskonzert Live Aid auftreten wolle.

Eines Tages steht Mary Austin vor seiner Tür und bittet ihn, zurück nach London zu kommen und sein altes Leben mit Queen wieder aufzunehmen.

Sie erwähnt auch das Angebot für den Auftritt bei Live Aid. Da wird ihm klar, dass Prenter ihm nicht guttut, ihn sein jetziges Leben zerstört und er wieder mit Queen auf der Bühne stehen will.

Zu dieser Zeit erhält Mercury die HIV -Diagnose. Diese teilt er der Band mit und auch seinen Entschluss, so lange wie möglich auf der Bühne zu stehen.

Er will nicht als bemitleidenswertes Aids -Opfer behandelt werden. Nun beendet er seinen wilden Lebensstil endgültig, beginnt eine Beziehung mit Jim Hutton, der nicht Teil des Musikgeschäfts ist, und stellt ihn seiner konservativen Familie als seinen festen Freund vor, outet sich damit vor ihr und sie akzeptiert seine Homosexualität.

Die Band wächst trotz weniger Proben über sich hinaus und ihr Auftritt bei Live Aid wird weltweit bejubelt. Im Film wird ein Zeitraum von 15 Jahren abgedeckt; von der Gründung der Band im Jahr bis zum Live Aid -Konzert im Juli Wie unter anderem der Rolling Stone und E!

Diverse Songs und ihre Entstehung werden zeitlich falsch eingeordnet. Mercurys Soloprojekte sorgten, anders als im Film suggeriert, nicht für Kontroversen innerhalb der Band, denn auch andere Bandmitglieder hatten zuvor bereits Soloalben veröffentlicht.

Zudem war die Band nie getrennt, sondern immer aktiv und tourte noch bis acht Wochen vor dem Live-Aid -Auftritt, der im Film als Wiedervereinigung der Band dargestellt wird.

Die Figur des EMI -Chefs Ray Foster ist fiktiv und lose an den realen Labelchef Roy Featherstone angelehnt, der, anders als im Film dargestellt, Queen-Fan war.

Jim Hutton war nicht Kellner, sondern Frisör, den Mercury in einem Nachtclub kennenlernte. Der Zeitpunkt, zu dem Mercury die Band über seine Erkrankung informierte, ist umstritten.

Der Film war bereits angekündigt worden; seitdem wurden sowohl das Produktionsteam als auch die Besetzung geändert.

Ben Whishaw war zwischenzeitlich als Mercury-Darsteller im Gespräch. Die Vorproduktion begann im Juli in England, im August wurden weitere Darsteller bekanntgegeben.

Ben Hardy spielt Mercurys Kollegen Roger Taylor , Gwilym Lee übernahm die Rolle von Brian May, und Joseph Mazzello spielt den Bassisten John Deacon.

Als Kameramann fungierte Newton Thomas Sigel. Der Regisseur Bryan Singer wurde von Dexter Fletcher ersetzt.

Der Soundtrack wurde von Brian May und Roger Taylor produziert, die bei ihrer Arbeit von den langjährigen Queen-Studio-Mitarbeitern Justin Shirley-Smith , Kris Fredriksson und Joshua J.

Macrae unterstützt wurden. Gemastert wurden die Aufnahmen von Adam Ayan und Bob Ludwig. Die Hauptaufgabe des Teams hinter dem Soundtrack war es, die passendsten Versionen der Songs der Band zur Handlung des Drehbuchs zu finden, insbesondere bei den Live-Auftritten.

Während Malek bei den Filmaufnahmen selbst gesungen hatte, wurde in der Postproduktion das Soundalike verwendet. Während im Film die Songs nur ausschnittweise zu hören sind, enthält der Soundtrack die kompletten Versionen.

Er umfasst 21 Titel und wurde von Virgin Records am Oktober auf CD und als Download veröffentlicht. Auf der CinemaCon wurde der erste Trailer im April vorgestellt.

Mai wurde der erste offizielle Trailer veröffentlicht. Der zweite Trailer folgte am Der Film feierte am Oktober in der Londoner Wembley Arena Premiere, die genau gegenüber dem Wembley-Stadion liegt, in dem Queen beim Live-Aid-Konzert ihre Show spielten.

Oktober in Deutschland, [16] der Schweiz und Österreich [17] und am 2. November in den USA an. Ab dem Am März erschien der Film als DVD und Blu-ray.

Neben dokumentarischen Kurzfilmen zur Entstehung des Films ist auch eine minütige Fassung des vollständigen Live-Aid -Auftritts mitsamt den Songs We Will Rock You und Crazy Little Thing Called Love enthalten.

In den USA wurde der Film von der MPAA als PG eingestuft. Kinder ab 6 Jahren können der Geschichte gut folgen, auch wenn sie vermutlich nicht alle Handlungsdetails verstehen werden.

Stand: 1. Februar [24]. Im Dezember wurde Bohemian Rhapsody von Filmkritiker Owen Gleiberman auf die Liste der 20 am meisten erwarteten Filme des Kinojahres des Branchenblatts Variety gesetzt.

Steve Rose vom Guardian befand, abgesehen von Rami Maleks exzellenter Leistung sei der Film keine bahnbrechende musikalische Odyssee.

Bei dem Versuch, ihn mittels Zahnprothesen wie den Künstler mit seinem berühmten Überbiss aussehen zu lassen, wirke er eher wie eine Figur aus den Simpsons.

Aber mit dem Schnurrbart der späten er Jahren wachse er wirklich in die Rolle. Eine Meisterleistung sei Maleks Darstellung des berühmten Live-Aid-Auftritts.

Mit Blick auf die Jugend-Freigabe würden in der Inszenierung seiner Münchener Zeit keine Exzesse dargestellt, sondern nur ein paar Küsse angedeutet und versteckte Hinweise auf sein wildes Partyleben gegeben.

Manfred Riepe von epd Film schreibt, über den Sänger selbst, den in Sansibar geborenen Farrokh Bulsara, erfahre man nicht viel, und auch die späteren Jahre vor seinem Tod würden, wie auch seine Beziehung zu Barbara Valentin , ausgeblendet.

Warum dieser Film dennoch zu Tränen rühre, liege womöglich daran, dass Freddie Mercury nicht aus dem Pop-Olymp heruntergeholt werde.

Bohemien Rapsodie PLEASE VISIT:joanporredon.comKS!. The Muppets' Musical Gang is back at it with their rendition of Queen’s Bohemian Rhapsody!Subscribe for all new videos from The Muppets! joanporredon.come. "Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's album A Night at the Opera. It is a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. Queen The Videos: Bohemian RhapsodyAudio: Album VersionDir: Bruce GowersFilmed at: Elstree StudiosDate: Description: The Top Of The Pops vers. Queen's "Bohemian Rhapsody" – a powerful priceless six-minute suite of opera rock about a young man who's killed someone, sold his soul to Devil and wants to know if Scaramouche can do the Fandango - remains one of Queen's most popular work and is placed on lists of the greatest songs of all time. Farrokh Bulsara trifft im Jahr auf die Musiker Brian May, Roger Taylor und John Deacon, die auf der Suche nach einem neuen Sänger für ihre Band sind. Aus den Vieren wird Queen, und aus Farrokh wird Freddie Mercury, eine Legende. Gemeinsam. Bohemian Rhapsody ist ein biografisches Filmdrama von Bryan Singer und Dexter Fletcher aus dem Jahr Der Film behandelt die Geschichte Freddie. Bohemian Rhapsody ist ein Rocksong, der von Freddie Mercury geschrieben wurde. Das Stück wurde als Auskopplung aus dem Album A Night at the. Bohemian Rhapsody huldigt die Band Queen, ihre Musik und ihren außergewöhnlichen Frontmann Freddie Mercury, der sich Konventionen widersetzt hat und. Der für einen Popsong opernhaft und dynamisch strukturierte Song ist schwer zu covern. Januarabgerufen am 9. Der Film feierte am September Luise Deschauer. Retrieved 24 August I did a bit of research although it was tongue-in-cheek and mock opera. In the end, eighth-generation tapes were used. They hired one of their trucks and got it to Serien Stream Nanatsu No Taizai Studioswhere Wdr 3 Markt band was rehearsing for their tour. In: Variety. Bohemian Rhapsody ist ein biografisches Filmdrama von Bryan Singer und Dexter Fletcher aus dem Jahr Black Butler Staffel 1 Deutsch Stream Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Someone somewhere has decided that the boys' next release must sound 'epic'. Während Malek bei den Filmaufnahmen selbst gesungen hatte, wurde in der Postproduktion das Soundalike verwendet. Pope, Rob Ce film est une bonne lutte contre l'homophobie. IFPI Greece.

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Dieser Beitrag hat 3 Kommentare

  1. Maladal

    sehr befriedigend topic

  2. Yojin

    Ich bezweifle daran.

  3. Dosida

    Wacker, mir scheint es die bemerkenswerte Idee

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